It Sifts from Leaden Sieves by Emily Dickinson It sifts from Leaden Sieves — It powders all the Wood. It fills with Alabaster Wool The Wrinkles of the Road — It makes an even Face Of Mountain, and of Plain — Unbroken Forehead from the East Unto the East again — It reaches to the Fence — It wraps it Rail by Rail Till it is lost in Fleeces — It deals Celestial Vail To Stump, and Stack — and Stem — A Summer’s empty Room — Acres of Joints, where Harvests were, Recordless, but for them — It Ruffles Wrists of Posts As Ankles of a Queen — Then stills it’s Artisans — like Ghosts — Denying they have been —

Question 1 Part A What inference can be drawn from "It Sifts from Leaden Sieves"?
The snow can make even ordinary things look regal and fancy.

The snow is beautiful, but also quite dangerous. The snow can easily disrupt the important events of life.

The snow's handiwork is no match for the beauty true artists can create.

Question 2 Part B Which evidence from the text best supports the answer in Part A?
"It sifts from Leaden Sieves — It powders all the Wood."

"It reaches to the Fence — It wraps it Rail by Rail"

"It Ruffles Wrists of Posts As Ankles of a Queen —

Then stills its Artisans — like Ghosts — Denying they have been —"

"It makes an Even Face Of Mountain, and of Plain — Unbroken Forehead from the East Unto the East again —"

Like other authors, Emily Dickinson wrote about the things she was interested in and the things she knew. She was a sharp observer who tapped into images from home activities, music, fashion, religion, and the natural world to explore larger topics.

What message does the poem that it extracts from leaden sieves convey?

Emily Dickinson wrote a wonderful poem titled "It Sifts from Leaden Sieves" that highlights how snow has the remarkable capacity to obstruct the outside world. The poet describes snow as falling gently to the ground, much like flour does after passing through a sieve, throughout the stanzas of "Snow sifts from Leaden Sieves."

What poetry form did Emily Dickinson use?

Most of Emily Dickinson's poems are composed of few lines, usually only rhyming on the second and third lines, in short stanzas, mostly quatrains.

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